Lee lozano breach paintings

Lee Lozano

American painter, and visual and conceptual artist ( - )

Lee Lozano (November 5, – October 2, ) was an American painter, and visual and conceptual artist.

Biography

Early years

Born Lenore Knaster[1] in Newark, New Jersey, she started to use the name "Lee" at the age of fourteen, often preferring to go by the simpler, if more enigmatic "E".

She attended the University of Chicago as an undergraduate from to , studying philosophy and natural sciences, and received a B.A.[2] She married Adrian Lozano, a Mexico-born architect, in ; they divorced four years later. During the marriage she earned a B.F.A.[3] from the Art Institute of Chicago.[4]

After traveling in Europe for a year, Lozano moved to New York City to pursue a career as an artist.

She had her first exhibition at the Bianchini Gallery in New York in [5] Many of her early paintings and drawings were done in a raw expressionistic style.

  • Lee lozano breach paintings ebay
  • Lee lozano breach paintings free
  • Lee lozano breach paintings list

    • Her so-called "comix" often featured hand-held tools embellished to resemble genitalia or positioned in a suggestive manner. These images were sometimes accompanied by provocative texts and sexual innuendos. Lozano's art of this period is often compared to early works by Claes Oldenburg and late works by Philip Guston[citation needed].

    In the late s, she experimented with a more Minimalist aesthetic, creating monochromatic Wave paintings based on the physics of light.[5]

    Career as a conceptualist

    Like many of her contemporaries, including Adrian Piper and Vito Acconci, Lozano began to pursue conceptual art projects starting in the mids.

    Lee lozano breach paintings images She wanted the two things to come together—a very difficult position to sustain. Lozano turns that into a more general concept of having a whole life or experience. ATX TV. Most Read.

    In February she commenced her General Strike Piece, in which she withdrew from the New York art world. Her instructions to herself were as follows: GRADUALLY BUT DETERMINEDLY AVOID BEING PRESENT AT OFFICIAL OR PUBLIC "UPTOWN" FUNCTIONS OR GATHERINGS RELATED TO THE "ART WORLD" IN ORDER TO PURSUE INVESTIGATIONS OF TOTAL PERSONAL AND PUBLIC REVOLUTION.

    EXHIBIT IN PUBLIC ONLY PIECES WHICH FURTHER SHARING OF IDEAS & INFORMATION RELATED TO TOTAL PERSONAL AND PUBLIC REVOLUTION.[6] In April , Lozano began her Grass and No-Grass pieces, in which she smoked and abstained (semi-successfully) from marijuana every day for several weeks at a time.[7] In Lee's work was published in 0 to 9 magazine, an avant-garde journal which experimented with language and meaning-making.

    In August , she began another notorious work of refusal, Decide to Boycott Women. What began as a one-month experiment intended to improve communication with women wound up as a twenty-seven year hiatus from speaking or otherwise relating to them.

    Lee lozano breach paintings for sale Follow Us. I remember thinking that she was a kind of warning about what could happen if you mixed art and life too closely, that it could get very dangerous if you had no boundaries. Flow Space. Bibliography [ edit ].

    Her systematic rejection of all members of her own gender lasted for the remainder of her life; she effectively cut off ties with friends, fellow artists, gallerists, and other women who had been long-time supporters of her art, including the feministcurator and art criticLucy Lippard. Art historian and critic Helen Molesworth has noted that these two conceptual works signaled Lozano's simultaneous rejection of capitalism and patriarchy.[8]

    Notable works

    Lee Lozano's Tool Paintings is a series of paintings of screwdrivers, bolts, wrenches, clamps, and hammers, anthropomorphized so that they appear to be in sexualized motion.

    She began painting objects that identified with male power and productivity in

    In , the artist made a list of her titles of paintings called ‘ALL VERBS: REAM, SPIN, VEER, SPAN, CROSS, RAM, PEEL, CHARGE, PITCH, VERGE, SWITCH, SHOOT, SLIDE, JUT, HACK, BREACH, STROKE, STOP’. Her list is in advance of Richard Serra's ‘Verb List Compilation: Actions to Relate to Oneself’ from to The paintings were compositions of edges and spirals in greyscale.[9]

    Untitled (General Strike Piece), begun in , in which she cut herself off from the commercial art world; and Boycott Piece, which began in , as a month-long experiment intended to improve communication but became a permanent "boycott" of speaking to or directly interacting with women.

    She notes that “Dropout Piece is the hardest work I have ever done."[10]

    Final years

    After being evicted from her studio loft on Grand & Green Street in SoHo, Lozano moved uptown to St. Nicholas Avenue until she moved to her parents' house in Dallas, Texas in ,[2] culminating yet another project (Drop Out).

    She continued to pursue private conceptual projects, including Masturbation Investigation and Dialogue Piece, but fell into relative obscurity until the late s, when she was diagnosed with inoperable cervical cancer.[11] She was persuaded to allow several concurrent exhibitions of her work, three at SoHo galleries and one at the Wadsworth Atheneum, which revived her legacy just before her death in at the age of [12]

    Interviewed in , Lucy Lippard noted that "Lee was extraordinarily intense, one of the first, if not the first person (along with Ian Wilson) who did the life-as-art thing.

    The kind of things other people did as art, she really did as life—and it took us a while to figure that out."[13]

    References

    1. ^Not, as reported in her New York Times obituary, "Knastner"
    2. ^ ab"Seek The Extremes" p.

    3. ^"Lee Lozano" p, her note
    4. ^Bruce Hainley, "On 'E'"Archived at the Wayback Machine, Frieze, October , pp.

    5. Lee lozano: drawings
    6. Lee lozano: dropout piece
    7. Lee lozano: dropout piece pdf
    8. Lee lozano moma
    9. Carousel

      10. –

    10. ^ abSmith, Roberta (October 18, ). "Lee Lozano, 68, Conceptual Artist Who Boycotted Women for Years". The New York Times. Retrieved May 20,
    11. ^Cheryl Donegan, "All Weapons Are Boomerangs," in Modern Painter (October ), pp. 76–
    12. ^"Gossamer | The Dropout Artist".

      Gossamer. Retrieved

    13. ^Helen Molesworth, "Tune In, Turn On, Drop Out: The Rejection of Lee Lozano," in Lee Lozano: Win First Don't Last/Win Last Don't Care, ed. Adam Szymczyk, Kunsthalle Basel and Van Abbemuseum,
    14. ^"Lee Lozano Drawings & Paintings - Hauser & Wirth". .

      Lee lozano breach paintings She stated that, in order for an art revolution to take place, a wider revolution, spanning science, politics, education, drugs and sex, was simultaneously required, while any reforms to museums must be met with comparable changes to galleries and magazines. Later, in her more minimalist series of large-scale oil paintings, Lozano shifts towards more abstract and geometric forms that she planned with mathematical precision. Robb Report. Most Read.

      Retrieved

    15. ^Applin, Jo (Spring ). "Hard Work: Lee Lozano's Dropouts" (PDF). October Magazine, Ltd. and Massachusetts Institute of Technology: 75–
    16. ^James Kalm, "Brooklyn Dispatches: Resurrection of a Bad-Ass Girl, Part IArchived at the Wayback Machine", in The Brooklyn Rail (November ).
    17. ^Smith, Roberta ().

      "Lee Lozano, 68, Conceptual Artist Who Boycotted Women for Years". The New York Times. ISSN&#; Retrieved

    18. ^Katy Siegel interview, on the Legacy of Artist Lee Lozano, Artforum (October ), pp. –

    Bibliography

    • Michelle Pirano, Target Practice: Painting Under Attack –78.

      Seattle, WA: Seattle Art Museum,

    • James Kalm, "Brooklyn Dispatches: Resurrection of a Bad-Ass Girl, Part I", in The Brooklyn Rail (November ).
    • Helen Molesworth, ed., Solitaire: Lee Lozano, Sylvia Plimack Mangold, Joan Semmel. Columbus, OH: Wexner Center for the Arts,
    • Lisa Gabrielle Mark and Elizabeth Hamilton, eds., WACK!

      Art and the Feminist Revolution. (exh.

      Lee lozano breach paintings youtube Sourcing Journal. All Rights Reserved. By providing your information, you agree to our Terms of Use and our Privacy Policy. Career as a conceptualist [ edit ].

      cat) London: MIT Press/Los Angeles: MoCA,

    • Klaus Biesenbach, ed., Into Me/Out of Me. (exh. cat.) Ostfildern: Hatje Cantz,
    • Barry Rosen, Jaap van Liere, and Gioia Timpanelli, Lee Lozano Drawings. New Haven, CT: Yale University Press,
    • Cheryl Donegan, "All Weapons Are Boomerangs", in Modern Painter (October ), pp.&#;76–
    • Helen Molesworth, "Tune In, Turn On, Drop Out: The Rejection of Lee Lozano," in Lee Lozano: Win First Don't Last/Win Last Don't Care, ed.

      Adam Szymczyk.

      Lee lozano breach paintings ebay: References [ edit ]. It ends physically, not conceptually. By Anne Carson. KS: Many painters left New York at that time.

      Kunsthalle Basel and Van Abbemuseum,

    • Sabine Folie and Gerald Matt, Lee Lozano. Seek the extremes… (exh. cat.) Nürnberg: Verlag für moderne Kunst Nürnberg,
    • Bruce Hainley, "On 'E'", Frieze, October , pp.&#;–
    • John Perreault, "Lee Lozano at P.S. 1", Artopia: John Perreault's art diary, an ArtsJournal blog, March
    • Katy Siegel, On the Legacy of Artist Lee Lozano-Interview in Artforum (October ), pp.&#;–
    • Roberta Smith, "Lee Lozano, 68, Conceptual Artist Who Boycotted Women for Years," New York Times, October 18,
    • Kinmont, Ben (ed.), "Project Series: Lee Lozano", New York: Agency [Antinomian Press], [14 February]