How did orlando di lasso die
Orlando Lasso
| Composer, native of Flemish, one of the largest musical figures of the Renaissance. Country: Belgium |
Content:
- Biography of Orlando Lasso
- Early Life and Travels
- Life in Munich
- Later Years and Legacy
- Artistic Achievements
Biography of Orlando Lasso
Orlando di Lasso, also known as Orlandus Lassus, was a composer and one of the most influential musical figures of the Renaissance period.
Born in Mons, Flanders (now Belgium), Lasso's name is seen in various forms, including Latin (Orlandus Lassus), Italian (Orlando di Lasso, which he preferred), and French (Roland de Lattre). In Russian musicology, the Italian version is commonly used.
Early Life and Travels
Little is known about Lasso's early life, and there are unlikely stories surrounding his childhood.
According to one tale, his enchanting voice as a choirboy in the Mons Cathedral captivated the Vice-King of Sicily, Fernando Gonzaga, who was fighting in the Netherlands as part of Emperor Charles V's army.
Referat orlando di lasso Lowinsky, Das Antwerpener Motettenbuch O. Wikimedia Commons Wikidata item. He entered the service of Ferrante Gonzaga when he was about 12 years old, and subsequently traveled with him. Orlando di Lasso, also known as Orlandus Lassus, was a composer and one of the most influential musical figures of the Renaissance period.Against his parents' wishes, the Vice-King took the young Lasso with him to Italy. However, there are no records in the cathedral's archives to support this claim. It is true, however, that Lasso later lived in Naples, possibly in the house of another patron, and may have visited Rome, where he allegedly served as the choir director at the San Giovanni in Laterano church at the age of Lasso returned to Mons upon learning of his parents' death and then traveled to France.
According to some sources, he also made a trip to England. He stayed in Antwerp for some time, where his first motets and madrigals were printed.
Life in Munich
During his time in Antwerp, Lasso received an invitation from Duke Albrecht V of Bavaria to become a musician at his court in Munich. Lasso arrived in Munich in or and soon became the court Kapellmeister.
Orlando di lasso madrigals: By this time his compositions were known throughout Europe , and he was considered the finest musician and composer to come from the Low Countries. Lowinsky, Der Motettenstil O. Orlando Paladino. January 8,
In an era when musicians often served as mere servants in noble households (even Bach, a century later, wore a livery as a footman), Lasso quickly earned the respect of his patron. He married the daughter of a court lady and seemingly became a friend of the duke and his family, with the duke frequently accepting invitations to dine with the musician.
The ducal family was composed of passionate music lovers, and it can be assumed that the duke valued Lasso not only as a brilliant professional but also as a witty and entertaining conversationalist. Lasso often entertained his hosts with original anecdotes about music and musicians and even staged his own musical comedy at court.
Later Years and Legacy
Lasso's life went relatively smoothly, thanks to the patronage of the Duke, allowing him to fully devote himself to composing and publishing his works – an endless stream of music.
He made occasional trips to France and Italy, where the Pope honored him with knighthood in the Order of the Golden Spur. Lasso's fame spread throughout Europe, and his second visit to France was associated with an invitation to take a position at the court.
Orlando di lasso short biography wikipedia Country: Belgium. His hundreds of Italian, French, and German songs include many excellent examples of their kind. Cite this article Pick a style below, and copy the text for your bibliography. According to George T.Offers came from the King of Saxony and various Italian nobles. However, the Duke of Bavaria, not wanting to lose the composer, took measures to ensure his continued presence by signing a lifelong contract.
In his final years, Lasso fell into melancholy, which apparently affected his health. The Duke relieved him of his court duties, provided him with a generous pension, and gifted him a country house.
Lasso died on June 14, , and was buried in the Franciscan cemetery in Munich. His tombstone now resides in the Bavarian National Museum.
Artistic Achievements
Lasso's vast musical legacy includes around 1, motets, 53 masses, a hundred Magnificats, and other liturgical works, along with hundreds of madrigals, French chansons, German lieder, villanellas, moresche (musical-dance form depicting African slaves in Naples), and other smaller compositions.
A quote by Handel regarding his contemporary Telemann – "He could set any text to music, even a poster" – comes to mind when considering Lasso's extensive body of work.
He regarded music as a mirror reflecting all aspects of life.
Lasso's reputation as a church composer is mainly linked to his unparalleled motets. His masses are beautiful but may not be considered deeply spiritual works that fully serve liturgical purposes. Some argue that Lasso goes too far in this direction at times, introducing song themes with eloquent titles like "I Never Eat Pork," "Good Wine," and "Let's Steal Some Barley," adapting them to biblical texts.
One of his finest masses is set to a charming melody called "Sweet Remembrance." Of course, the composer did not always incorporate song themes into sacred music; several exceptional masses by Lasso have no connection to secular melodies.
Lasso's dramatic, descriptive, and illustrative qualities as a composer are most apparent in his motets, which depict nearly all gospel events and scenes, as well as works based on prose and poetic texts from the Divine Liturgy.
Orlando di lasso short biography A few celebrate secular events, while an even smaller number are humorous. Messmer, O. Following the death of his parents in , he took a position in Antwerp, but several years later became a chorister in the chapel of Albert V, duke of Bavaria. He never saw the letter.His greatest achievement in the strict style of church music is the "Seven Penitential Psalms." In one of his motets – a graceful three-voice hymn for Christmas – one can detect a foreshadowing of Wagnerian leitmotif technique: the Magi exclaim "In Bethlehem!" throughout their journey to the manger. The composer's hundred musical versions of the Magnificat, forming, in the words of one writer, a "spiritual bouquet presented to the Virgin Mary," are a unique monument to artistic inspiration and another peak of Lasso's creativity.
In the realm of secular music, Lasso has no rivals among his contemporaries.
Here, his propensity for jesting and satire is fully expressed in concise pieces that depict character sketches and scenes from everyday life. There are representations of a young wife complaining about her old husband's insensitivity, a comical judicial official, a young monk, a lovelorn mercenary appealing to his lady love, a serenade from an enamored suitor, and a portrait of a beloved.
In his youth, while in Italy, Lasso turned to the madrigal genre, drawing inspiration from the treasury of Renaissance poetry, both Italian and French – Petrarch, Ariosto, Ronsard, and their contemporaries – and embodying inspired verses in music. Lasso is considered the last of the Netherlandish masters who dominated the European music scene for over a century.
His work actually represents a fusion of Netherlandish and Italian styles. The influence of Italian madrigalists transforms the old Netherlandish polyphonic writing, based on the equality of all voices, into a more modern and richly expressive style. Lasso is one of the greatest artists of an era that saw the development of a new technique of homophonic-harmonic writing (melody with accompaniment) in the major-minor tonal system over the course of two generations.